Two videos have appeared, with former poet laureate Robert Pinksy using Henry Reed's famous parody of T.S. Eliot's Four Quartets as a teaching tool, in Boston University's Art of Poetry Video Repository.
In the first, Pinsky delivers an excellent reading of "Chard Whitlow" (written by Henry Reed in 1941 and subtitled "Mr. Eliot's Sunday Evening Postscript," after this poem), and then compares it with a selection from Eliot's "East Coker":
Followed up with this conversation with some first-time Reed (and Eliot) readers:
Pinsky's point being that effective parody is more than just kidding around: it can help the reader appreciate or even understand the source material better. "Chard Whitlow" is possibly the best example of this, because it can be backed up with Eliot's own statement (also read by Mr. Pinksy):
Most parodies of one's own work strike one as very poor. In fact, one is apt to think one could parody oneself much better. (As a matter of fact, some critics have said that I have done so.) But there is one which deserves the success it has had, Henry Reed's "Chard Whitlow."
1512. Reed, Henry. "The Case for Maigret." Reviews of Maigret Hesitates and The Man on the Bench in the Barn, by Georges Simenon. Sunday Times (London), 2 August 1970: 22.
Reed reviews two translations of George Simenon's fiction.
(1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8
Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, Bletchley Park, 1942-1945.
Freelance writer: BBC Features Department, 1945-1980.
A Map of Verona: Poems (1946) The Novel Since 1939 (1946) Moby Dick: A Play for Radio from Herman Melville's Novel (1947) Lessons of the War (1970) Hilda Tablet and Others: Four Pieces for Radio (1971) The Streets of Pompeii and Other Plays for Radio (1971) Collected Poems (1991, 2007) The Auction Sale (2006)