Documenting the quest to track down everything written by (and written about) the poet, translator, critic, and radio dramatist, Henry Reed.

An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life.

Read "Naming of Parts."

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Henry Reed, ca. 1960



I Capture the Castle: A girl and her family struggle to make ends meet in an old English castle.
Dusty Answer: Young, privileged, earnest Judith falls in love with the family next door.
The Heat of the Day: In wartime London, a woman finds herself caught between two men.




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«  Sitwell Responds  »

Reeding Lessons: the Henry Reed research blog


Sitwell Responds

Clarification continues to be supplied in tiny increments. I had a record for what I presumed was a letter from Edith Sitwell to Reed, written perhaps after his critique of her poetry in 1944's Penguin New Writing (v. 21). Her "Answer to Henry Reed" resides with the Dame Edith Sitwell Collection in the Harry Ransom Research Center at the University of Texas (previously).

This Catalogue of Sales (Google Book Search) for Sotheby & Co., from February - June, 1962, tells a different story:
252 SITWELL (EDITH) The Autograph Manuscript of her "Answer to Henry Reed," 13 pp., folio, signed below title, unbound. This interesting essay is a reply to a broadcast talk by Henry Reed in October 1946, in the Third programme series "The Poet and his Critic," devoted to Edith Sitwell's poetry. INCLUDED IN THE LOT are a typescript of Henry Reed's talk... (p. 54).
So Sitwell's "Answer" is not so much a reply to Henry Reed, as it is her response.

The poet D.S. Savage describes what the BBC's "The Poet and His Critic" program was attempting, while painting a dismal portrait of its failure. From "Letter from England," in the Spring, 1948 Hudson Review (p. 90):

[The Third Programme's] musical record has been good, and its dramatic record not so bad, but on the literary side it has been deplorable. It has ventured into literary criticism. In a series entitled "The Poet and his Critic", a number of poets, some of them good ones, lent themselves to a painful exhibition in which the critic gave an appraisal of his pet poet on one day, the poet replied with a reading of his poems on the next, and there followed a coy little game of bat and ball on the third occasion between the two. But not all the poets were good ones, and the B.B.C. functionary in charge had scoured the alleys for the weirdest collection of so-called critics it would be possible to find within a hundred yards of Fleet Street.

This seems to indicate that Reed hosted at least two Saturday evening programs on Edith Sitwell, if he wasn't involved in all three: the first on October 26th, the second on November 2nd, and the last, November 9th, 1946 (with Sitwell, herself?).

Add Notation:


Notation for "Sitwell Responds":
Allowed: <a> <em> <strong>
What is Henry Reed's first name?

1537. Radio Times, "Full Frontal Pioneer," Radio Times People, 20 April 1972, 5.
A brief article before a new production of Reed's translation of Montherlant, mentioning a possible second collection of poems.

1st lesson:

Reed, Henry (1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8 December 1986.

Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, Bletchley Park, 1942-1945. Freelance writer: BBC Features Department, 1945-1980.

Author of: A Map of Verona: Poems (1946)
The Novel Since 1939 (1946)
Moby Dick: A Play for Radio from Herman Melville's Novel (1947)
Lessons of the War (1970)
Hilda Tablet and Others: Four Pieces for Radio (1971)
The Streets of Pompeii and Other Plays for Radio (1971)
Collected Poems (1991, 2007)
The Auction Sale (2006)



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