Documenting the quest to track down everything written by (and written about) the poet, translator, critic, and radio dramatist, Henry Reed.

An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life.

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Henry Reed, ca. 1960



I Capture the Castle: A girl and her family struggle to make ends meet in an old English castle.
Dusty Answer: Young, privileged, earnest Judith falls in love with the family next door.
The Heat of the Day: In wartime London, a woman finds herself caught between two men.




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Reeding Lessons: the Henry Reed research blog


Chronologic Logic

Several books mention Reed's translations of Ugo Betti dramas as being produced for the London stage in 1955. Stallworthy, for instance, says in the Dictionary of National Biography: "Several of his translations found their way into the theatre, and in the autumn of 1955 there were London premières of no fewer than three." Quite an accomplishment. Reed adapted quite a few of Betti's plays for radio, however. So many in fact, that I am frequently confused as to the order they were produced.

Betti's play La Regina e gli Insorti was written in 1949. Commissioned by the BBC's Third Programme, Reed translated and adapted the play for radio, and The Queen and the Rebels was broadcast on October 17, 1954. The radio versions of all three plays were produced by Donald MacWhinnie.

Next came Betti's L'Ainola Bruciata, written 1951-52. Translated as The Burnt Flower-Bed, the play was broadcast on the Third Programme on January 3, 1955.

The third play, Summertime, began as Il Paese delle Vacanze (1937). It was broadcast as Holiday Land on the Third Programme on June 6, 1955.

The Burnt Flower-Bed was premièred live at the Arts Theatre, London, on September 9 of that year.

Subsequently, The Queen and the Rebels opened at the Haymarket Theatre, London, on October 26.

Finally, a version of Holiday Land was revised as Summertime, opening at the Apollo Theatre, London, on November 9, 1955.

Oddly enough, Reed's autobiographical entry for Who's Who mentions the publication of these translations as Three Plays (1956), but neglects any of the London stage productions. It does, however, make note of Betti's Crime on Goat Island being 'staged NY 1960', but the only notable production of Goats in New York (starring Laurence Harvey, Uta Hagen, and Ruth Ford) was also in 1955, not 1960.

And as a footnote, Reed's biographical entries in Contemporary Authors and Contemporary Poets both list a play titled Summertime as being produced for radio in 1969. This is actually a play called Summer, written by the French playwright Romain Weingarten, and translated by Reed. Summer was broadcast on Radio 3 on October 3, 1969.

A typescript for Summer resides in the Richard L. Purdy Collection of Thomas Hardy, in the Beinecke Rare Books and Manuscripts department of Yale University (#809).

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Notation for "Chronologic Logic":
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What is Henry Reed's first name?

1537. Radio Times, "Full Frontal Pioneer," Radio Times People, 20 April 1972, 5.
A brief article before a new production of Reed's translation of Montherlant, mentioning a possible second collection of poems.

1st lesson:

Reed, Henry (1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8 December 1986.

Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, Bletchley Park, 1942-1945. Freelance writer: BBC Features Department, 1945-1980.

Author of: A Map of Verona: Poems (1946)
The Novel Since 1939 (1946)
Moby Dick: A Play for Radio from Herman Melville's Novel (1947)
Lessons of the War (1970)
Hilda Tablet and Others: Four Pieces for Radio (1971)
The Streets of Pompeii and Other Plays for Radio (1971)
Collected Poems (1991, 2007)
The Auction Sale (2006)



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