How unpleasant to meet Mr. Eliot!Apparently, "Cuscuscaraway" and "Mirza Murad Ali Beg" were the names of Eliot's dog and cat (and Mirza Murad Ali Beg was really the author of Lalun the Beragun, a 19th-century work of historical fiction set in India). This is actually Eliot parodying Edward Lear's "How Pleasant to Know Mr. Lear" (Nonsense Songs, 1871), the text of which can be read in this Slate.com article by Robert Pinsky, a "little anthology of poems that deliver insults."
With his features of clerical cut,
And his brow so grim
And his mouth so prim
And his conversation, so nicely
Restricted to What Precisely
And If and Perhaps and But.
How unpleasant to meet Mr. Eliot!
With a bobtail cur
In a coat of fur
And a porpentine cat
And a wopsical hat:
How unpleasant to meet Mr. Eliot!
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Documenting the quest to track down everything written by
(and written about) the poet, translator, critic, and radio
dramatist, Henry Reed.
An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life. Read "Naming of Parts."
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Elsewhere:
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Reeding Lessons: the Henry Reed research blog |
5.9.2008 |
Insults and Eliot and Lear
In 1953, Reed wrote a critique of Eliot's prose as it relates to his verse, called "If and Perhaps and But" (Listener, 18 June 1953, 1017-18). I hadn't realized until today that the title is actually a quote from a self-deprecating poem of Eliot's: "Lines for Cuscuscaraway and Mirza Murad Ali Beg" (part V. of "Five-Finger Lessons," originally published in Criterion 12, no. 47 (January 1933): 220-222).
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1348. Sonzogni, Marco. Afterword to Mottetti, by Eugenio Montale, translated by Henry Reed. PN Review 180 34, no. 4 (March-April 2008): 38-41.
Sonzogni appraises Reed's translations of Montale's Mottetti, and describes Reed's manuscripts and his history with the poems and the Italian language.
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