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Documenting the quest to track down everything written by (and written about) the poet, translator, critic, and radio dramatist, Henry Reed.

An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life.

Read "Naming of Parts."

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Henry Reed, ca. 1960


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Reeding:

Watchmen: The award-winning comic book series, by Alan Moore and Dave Gibbons.
The Romantic Dogs: Forty-four poems by Roberto Bolaño.
Enclosures and Disclosures: Mercer Simpson's most recent collection of poetry.


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All posts for "Bishop"

Reeding Lessons: the Henry Reed research blog

8.1.2009


Invitation Extended

Two fortuitous happenings this weekend. Firstly: more than a week ago—before I traipsed down to Duke University and back, even—I photocopied two articles from 1961 at the university library. One was Reed's book review of Emma Hardy's Some Recollections from The Listener, and the other was a review of Three Plays, by Ugo Betti, from Prairie Schooner. In my haste to read the Listener article, I managed to leave the Schooner review on the copier output tray.

Going back to the library this evening, I re-pulled the 1961 Prairie Schooner volume from the shelf, and when I arrived at the photocopier what should I find? My copies from the previous week, neatly arranged on the adjacent work table. Buddha bless Duplication Services!

The second happening took place at the local Barnes & Noble, where I was attempting to take account of all the articles, reviews, and letters I had dug up down at Duke. B&N's wireless service conked out after an hour or so, however, so after I had finished licking the inside of my coffee cup, I went down to peruse the Poetry section on my way out. A paperback copy of The Letters of Robert Lowell (bn.com) caught my eye, and I immediately turned to the index, under "R". There was one entry for Reed, in a letter to Elizabeth Bishop, who had left Brazil to take a job teaching at the University of Washington, Seattle:

February 25, 1966

Dearest Elizabeth:
Wonderful your letters are pouring out again. I had terrible pictures of you despondent and lost in the new toil of teaching—lonely, cold at sea. Lizzie taught last term at Barnard for the first time in her life. Her first comment was 'the students aren't very good, but I am...[.]'

Your book is another species from almost everything else. I think even the reviewers now see that there's no one, except Marianne Moore at all comparable to you. I guess I struck Roethke under a bit more favorable circumstance. I mean last year when I came to Seattle, I was to give the Roethke Memorial reading and had worked myself into the proper state of awe...[.]

Do tell Reed to come and see us. He must have saved your heart in exile. What a difference an intelligent voice makes. Our Guadeloupe beach was restoring, but one felt stupider than the stupidest tourist—and was!

All my love,
     Cal

Lowell signed all his letters to friends as "Cal". Bishop must have mentioned that Reed was also teaching at the university in a preceding letter.

I was pleased to discover that Lowell's Letters are arranged the way a collection of correspondence should be; the credit going to the editor, Saskia Hamilton. There is a substantial appendix of notes at the end of the volume, detailing all the obscure and personal references in the letters; a list of all the manuscript collections where the letters were collected from; and a list of all the addresses Lowell lived at and wrote from. At the time, in 1966, Lowell was living at West 67th Street, New York.

I have no idea if Bishop ever passed along Lowell's invitation for a visit.



1367. Morrison, Blake. The Movement: English Poetry and Fiction of the 1950s. Oxford: Oxford University Press, 1980. 18, 25, 34, 35.
Quotes D.J. Enright saying Reed's Lessons of the War are 'too modest, or too wise, to attempt to deal directly with War'.


Edgar Allan Poe & The Jukebox

Dumbfoundry points us to a New Yorker slide show (Flash) of poetry editor Alice Quinn discussing the release of a collection of previously unpublished Elizabeth Bishop poems, drafts, and fragments: Edgar Allan Poe & The Juke Box. The slide show is full of terrific photographs, illustrations, and revealing images of (the reluctant) Bishop's handwritten drafts. If you like, you can skip right to the end, where Quinn reads four selected poems.

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1366. Enright, D.J. "The Significance of Poetry London." Critic 1, no. 1 (Spring 1947): 3-10.
Enright takes time out from discussing the problems with contemporary poetry to praise Reed.



1st Lesson:

Reed, Henry (1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8 December 1986.

Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, GC&CS, 1942-1945. Freelance writer: BBC Features Department, 1945-1980.

Author of: A Map of Verona: Poems (1946)
The Novel Since 1939 (1946)
Moby Dick: A Play for Radio from Herman Melville's Novel (1947)
Lessons of the War (1970)
Hilda Tablet and Others: Four Pieces for Radio (1971)
The Streets of Pompeii and Other Plays for Radio (1971)
Collected Poems (1991, 2007)
The Auction Sale (2006)


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