Very well, then. Here are two hills.

Henry Reed, "Movement of Bodies"

Here are two snippets from what I believe is the May, 1946 issue of Adam International Review—the title is an acronym for Art, Drama, Architecture, and Music—not the 1960s men's magazine of the same name (some images NSFW). Google Book Search doesn't particularly lend itself to any sort of exactness, but this would appear to be a book review penned by Alex Comfort, concerning Henry Reed's A Map of Verona, and perhaps Dylan Thomas's Deaths and Entrances, both published in 1946:


Alexander Comfort (1920-2000), M.B., Ph.D., was a poet, novelist, and physician, widely known for his writings on pacifism and gerontology. Perhaps to his dismay, however, Comfort will always be best remembered as the author of The Joy of Sex (1972).

One of the most prolific poets of the Forties, Comfort's early collections include: France and Other Poems (1942); A Wreath for the Living (1943); Elegies (1944); The Song of Lazarus (1945); and The Signal to Engage (1947). Here is just a small taste, from his "Sixth Elegy":

Love is not strong to fight with history
and those who love are sometimes buried together
sometimes apart, and move like shells
slowly into the heart of the cloudy hills...

Comfort's personal papers are collected at University College London. The Adam Collection, the personal library of editor Miron Grindea, is housed at King's College London.