As an early-morning follow-up to yesterday evening's post, I should point out the British Library's Archival Sound Recordings Project, which, as a pilot program, has set a goal of digitizing 4,000 hours of audio recordings, and making them freely available to educational communities in the U.K.
The project is funded by the Joint Information Systems Committee (JISC), which interviewed both the Head of the Sound Archive, and the Archival Recordings Project Manager back in 2005.
Sample audio from the Sound Recordings Project includes the poet Simon Armitage reading "Entrance," Tolstoy's Waltz in F, and the call of the Tawny Owl (all links to Real Audio files).
The full list of audio samples is on the project's "Listen" page.
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Audio Follow-Up
Gleanings from the Sound ArchiveThe British Library Sound Archive lists 47 titles under the author heading "Reed, Henry, 1914-1986." I suspect there are a few more skulking about, which were cataloged with different headings. Somewhere around the apartment I have a printout, intending one day to go over it record by record, and sort out their holdings.
A curious visitor emailed me this week (thanks, Nancy!), and happened to bring to my attention an entry in the Sound Archive catalog for a 1970 recording of "The Complete Lessons of the War." I'd never heard of such a version. There it is, however: Item notes: A sequence of poems by Henry Reed. The fifth poem, Returning of Issue, has been largely rewritten since the programme was first broadcast in 1966. This new version has been re-recorded.A quick search of the broadcast schedule in the London Times confirms a rebroadcast on that Thursday, at 10:00 p.m. That's not even the most amazing thing. While I was poking around in the chaos of the Sound Archive (three entries for each item, Work, Product, and Recording?), I saw a title I didn't recognize: "On the Terrace." The item notes describe the recording as being from the BBC program "Poetry Now" on November 2, 1970, introduced by producer R.D. Smith. There is no poem entitled "On the Terrace" in the Collected Poems and, while there are undoubtedly many unpublished poems in Reed's personal papers, the collection description at the University of Birmingham does not mention this particular poem. Was it a piece Reed was trying out, but, ever the perfectionist, eventually abandoned? Is it one of his many translations? Did he change the title? 1970 was late in Reed's poetic life, but a time in which he seemed to rise from his long silence, publishing several poems in The Listener, and at last releasing the complete Lessons of the War in print.
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