About:

Documenting the quest to track down everything written by (and written about) the poet, translator, critic, and radio dramatist, Henry Reed.

An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life.

Read "Naming of Parts."

Henry Reed Henry Reed
Henry Reed Henry Reed
Henry Reed, ca. 1960


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Reeding:

I Capture the Castle: A girl and her family struggle to make ends meet in an old English castle.
Dusty Answer: Young, privileged, earnest Judith falls in love with the family next door.
The Heat of the Day: In wartime London, a woman finds herself caught between two men.


Elsewhere:

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All posts for "Illustration"

Reeding Lessons: the Henry Reed research blog

14.11.2018


Henry Reed Caricature

I'm happy to be able to share this excellent caricature of Henry Reed drawn by the artist Rod MacGregor, a self-described "mover of pens":
Reed caricature

Rod's other work can be found on The Pen Mover Flickr and Instagram pages, including these great renderings of Robert Frost and William Burroughs.

«  Art Illustration  0  »


1524. Reed, Henry. Letters to Graham Greene, 1947-1948. Graham Greene Papers, 1807-1999. Boston College, John J. Burns Library, Archives and Manuscripts Department, MS.1995.003. Chestnut Hill, MA.
Letters from Reed to Graham Greene, including one from December, 1947 Reed included in an inscribed copy of A Map of Verona (1947).


Naming of Parts Illustrated


Naming of Parts

Illustration by 'Oxford Designers and Illustrators,' accompanying Henry Reed's "Naming of Parts" and "Judging Distances," in Cambridge Checkpoint English 3, by John Reynolds (London: Hodder Education, 2011), pp. 24-25.

(Looking closely, I notice the details that the recruits have not yet been given their rifle slings, and the almond blossom seems particularly silent.)



1523. Reed, Henry. "Simenon's Saga." Review of Pedigree by Georges Simenon, translated by Robert Baldick. Sunday Telegraph (London), 12 August 1962, 7.
Reed calls Pedigree a work for the "very serious Simenon student only," and disagrees with the translator's choice to put the novel into the past tense.


Laugh Lines

Here's an excellent caricature of Lord Kenneth Baker, drawn by the famed illustrator John Minnion. It appeared in the Listener on September 6, 1990, accompanying a review of Baker's anthology, Unauthorised Versions: Poems and Their Parodies. The review quotes Henry Reed's 'portmanteau' parody of T.S. Eliot, "Chard Whitlow."

Minnion

If you look closely at the books propped up on the shelf between the twin Thatchers, you'll see REED on one of the spines (right between COPE and CARROLL).



1522. Reed, Henry. "Hardy's Secret Self-Portrait." Review of The Life of Thomas Hardy, by Florence Emily Hardy. Sunday Telegraph (London), 25 March 1962, 6.
Reed says this disguised autobiography is a "ramshackle work," but is still "packed with a miscellany of information not available elsewhere, and readers who care for Hardy will find it everywhere endearing, engaging, and full of his characteristic humour."


Radio Times Illustrations

Owing to some lovely winter weather this morning, I've got a brief reprieve from work: a half-day snow day. It seems unlikely that the journal volumes which I requested from library storage last week will show up today, so instead I'll post two items I've been sitting on for some time: illustrations for billings of Reed's radio plays from the Radio Times:

Not a Drum Was Heard

This illustration is by Peter Kneebone, and is from the Radio Times for May 1, 1959. It accompanied the billing for the sixth play in Reed's Hilda Tablet series: Not a Drum Was Heard: The War Memoirs of General Gland, first broadcast on the BBC Third Programme on May 6, 1959. The General looks distinguished, but he's quite mad.

Musique Discrete

This drawing is by Bruce Angrave, from the Radio Times for October 23, 1959, illustrating the seventh and final play in Reed's sequence, Musique Discrète: A Request Programme of Music by Dame Hilda Tablet. The play premiered on October 27, 1959, with musique concrète renforcée provided by Donald Swann. Isn't Hilda's monocle a gas?

(I'm not embarrassed to admit that I could only recognize Beethoven's bust [bottom left] getting tumbled in Angrave's picture. Our friend the Webrarian came to my rescue: that's Wagner turned sideways, with Brahms just below.)



1521. Reed, Henry. "Leading a Dance." Review of Fokine: Memoirs of a Ballet Master, translated by Vitale Fokine. Sunday Telegraph (London), 26 November 1961, 6.
Reed finds Fokine's memoirs "very absorbing and intelligent."


Covering the War

Here's a New Yorker cover from World War II which bears comparison with "Naming of Parts." It depicts a daydreaming nose gunner in (what looks like) a stylized B-24.

New Yorker cover

From American Studies at the University of Virginia's Covering the War section of Urban and Urbane: The New Yorker Magazine in the 1930s:

[E]ven preoccupied with the thoughts of death, honor, and heroism that doubtless passed through the heads of millions of American soldiers on the eve of battle, the young man cannot resist the natural beauty of the full moon on a clear night. The image also plays with the sharp contrast between the plane, the latest in American technology, and the vast emptiness of the sky. It makes a subtle yet present commentary on the just how much technology has still yet to do.

The depiction also stands in stark contrast to that other famous poem of the war, Jarrell's "The Death of the Ball Turret Gunner." The illustration appears on the cover of August 22nd, 1942 issue of The New Yorker (full size), and is by the Russian-American artist, Constantin Alajalov.

A print of Alajalov's cover is available from The Cartoon Bank. (Via Kottke.)



1520. Reed, Henry. "Shocked into Life." Review of The Empty Canvas, by Alberto Moravia, translated by Angus Davidson. Sunday Telegraph (London), 19 November 1961, 7.
Of Moravia's most recent novel, Reed says "there is something unquestionably heroic about the whole enterprise."



1st lesson:

Reed, Henry (1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8 December 1986.

Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, Bletchley Park, 1942-1945. Freelance writer: BBC Features Department, 1945-1980.

Author of: A Map of Verona: Poems (1946)
The Novel Since 1939 (1946)
Moby Dick: A Play for Radio from Herman Melville's Novel (1947)
Lessons of the War (1970)
Hilda Tablet and Others: Four Pieces for Radio (1971)
The Streets of Pompeii and Other Plays for Radio (1971)
Collected Poems (1991, 2007)
The Auction Sale (2006)


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