The place where our two gardens meetHenry Reed's poem "The Wall," set to music by Professor Emmy van Deurzen. "The Wall" first appeared in The Penguin New Writing, in 1943. Emmy accompanies a bunch of poems with guitar on her YouTube channel, including Dylan Thomas's "Do Not Go Gentle Into That Good Night," and Louis MacNeice's "A Prayer Before Birth" and "Sunlight on the Garden."
Is undivided by a street,
And mingled flower and weed caress
And fill our double wilderness
Among whose riot undismayed
And unreproached, we idly played,
While, unaccompanied by fears,
The months extended into years,
Till we went down one day in June
To pass the usual afternoon
And there discovered, shoulder-tall,
Rise in the wilderness a wall....
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The Wall
Listeners, Who Have Turned Off the WirelessHere's audio of Dylan Thomas reading "Chard Whitlow" on YouTube. Thomas was also fond of "Naming of Parts," and often chose to recite Reed's poems for public appearances and recitals. This recording comes from the Dylan Thomas Caedmon Collection, discussed here previously.
The video's creator, poetictouch, has a Facebook page with more poetry readings, if you MyFace.
Dance of the Seven VeilsOmnibus now presents a new film by Ken Russell: Dance of the Seven Veils. It's been described as a harsh, and at times, violent caricature of the life of the composer Richard Strauss. This is a personal interpretation by Ken Russell, of certain real—and many imaginary—events in the composer's life. Among them are dramatised sequences about the war, and the Nazi persecution of the Jews, which includes scenes of considerable violence, and horror. I have mentioned previously Reed's final foray into television: in 1969 he delivered a preliminary screen treatment on Strauss, but it was clear that director Ken Russell was not interested in filming a straight-up, chronological biography. Instead, it would be "all dancing and no acting." Unbelievably, Reed still shares credit for the script and scenario:  (Via Wonders in the Dark.)
Naming of Parts AnimationJim Clark has been "reincarnating" long-dead poets by animating old photographs to make it seem as if their subjects were reading out loud. The effect is sometimes wonderful, especially if the audio is a recording of the actual poet reading his or her own work. Sometimes, however, the animations are haunted by the uncanny valley effect, which can make the more exaggerated movements of lips and eyebrows seem less real (and even a little creepy). Here's the video for Henry Reed's "Naming of Parts":
(You might recognize that recording from from Reed's 1959 appearance on Oscar Williams' Album of Modern Poetry, and the photograph from Reed's time at the University of Washington, Seattle, circa 1965.) Clark has so far produced over 300 videos, seen here on his poetryanimations YouTube channel. The Second World War poets are represented by Keith Douglas, Alun Lewis, and Sidney Keyes.
Ooh-RahHere's a short clip from the History Channel's Mail Call, hosted by by everyone's favorite gunny, R. Lee Ermey, as he explains the purpose and proper use of that most useless of rifle parts, the stacking swivel (history.com video).
 The British equivalent of the stacking swivel is, of course, the piling swivel, immortalized in Reed's "Naming of Parts."
LOLReed 3"Weird" Al Yankovic has an excellent song, "Bob," which is not simply a parody of Bob Dylan's "Subterranean Homesick Blues," but also an intelligent exercise in palindromes. The music video (YouTube) for "Bob" is a faithful re-creation of the opening sequence to the 1967 Dylan documentary by D.A. Pennebaker, Don't Look Back.
All this reminded me of a promotional gizmo which came out for the release of the Dylan retrospective on CD last year, which we will now use for our own purposes to summarize Henry Reed's poem, "Chard Whitlow," in ten cue cards or less: "Chard Whitlow" is itself a parody of T.S. Eliot's Four Quartets, so the circle of life and satire is now complete.
Books of FuryBecause we love libraries and cartoon violence in equal parts. "Books of Fury," featuring Buddhist Monkey vs. a pack of book-defacing scofflaw ninjas. (Highlighters? Nooooo!) An episode of mondo media's Happy Tree Friends.
Henry Reed on YouTubeSome enterprising soul has thoughtfully uploaded Robert Bloomberg's 1971 student film adaptation of "Naming of Parts" to YouTube.com:
Shall I Nail Thee to a Summer's Day?In honor (or perhaps despite) of April being National Poetry Month, Comedy Central's Stephen Colbert challenges actor and activist Sean Penn to a Meta-Free-Phor-All, moderated by former Poet Laureate, Robert Pinsky.
Swivel TipsOne of the odd, esoteric things to the study of Henry Reed is becoming familiar with the arms of World War II and their proper use. For instance, when Reed writes to his sister, in 1941, that he is learning to manage an anti-tank rifle, it is helpful to know that he is talking about the "Boyes" anti-tank rifle (though not particularly useful).
Now, I am not a gun person. Far from it. I know less about firearms than I do about automobiles. Or women, for that matter. Nevertheless, I enjoy watching endless Second World War documentaries on the History Channel, and I'm always intrigued by any details of 1940s-era basic training which may have inspired Reed's "Lessons of the War." Which is why I was so happy to see this recent "Piling Swivel" thread in the Great War Forum, which discusses piling of arms, and includes step-by-step illustrations:  Also, I stumbled across this compilation of old British Pathe newsreels on YouTube, which opens with a demonstration of rifle training with the Pattern 1914 Lee-Enfield, and mentions not only "easing the spring," but even "judging distances." The other tangential area to studying Reed is the realm of WWII cryptography, and that gets even more weird and esoteric. Oh, and japonica: I know waaaay too much about japonica.
Fan VidPinckney Benedict, author and professor of English at Southern Illinois University, Carbondale, has created what can only be described as a fan video for "Naming of Parts":
You can read Professor Benedict's "naming of parts" and other writing exercises over on his blog.
Hey, You Guys!I'm watching "The Electric Company's Greatest Hits & Bits" special, on PBS. "Easy Reader," "The Six Dollar and Thirty-Nine Cent Man," "The Adventures of Letterman." It's like my entire adolescence is being rebroadcast. Rita Moreno, hubba hubba! They opened with this gag, which is like a Shakespearean tragi-comedy, for eight-year-olds:
For Your Viewing PleasureReeding Lessons is proud to present "Naming of Parts," a film by Robert Bloomberg, based on the poem by Henry Reed. Click to go to video:
 Produced in 1971 as a student film at San Francisco State University, Bloomberg's "Naming of Parts" won the Student Peace Prize at the 13th annual American Film Festival. Subsequently, it was picked up for distribution as an educational film. From "Poetry and Film for the Classroom" (English Journal, January 1977), a "highly selected checklist of some of the best films made from poems": Naming of Parts (Contemporary/McGraw-Hill, 5 min., black and white, 1972). Henry Reid's [sic] poem about a soldier daydreaming during a demonstration/lecture on the naming of the parts of his rifle is presented visually through the eyes of the man. The officer conducting the lesson talks about the weapon and death, but the soldier's thoughts are on nature, sex, and life. If you prefer a direct, non-Flash link, here's the full version (50MB MPEG file, lengthy download).
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